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Valerie Nieman

Letting the Story Lead: Valerie Nieman and Upon the Corner of the Moon

March 10, 2025 1 Comment

by Valerie Nieman

Writers are not our characters, most times, though these characters may draw upon our lives, our experiences, our quirks.

Macbeth and Gruach, the main characters of Upon the Corner of the Moon, definitely are not “me” except that I was drawn to the story and felt the urge to tell it – an urge that stayed with me for almost 30 years.

I first came across the facts about the historical Macbeths when I was researching an earlier novel. I did not realize how thoroughly this story had been reversed: Macbeth was a rightful king based on Celtic traditions and ruled for 17 years, being called “The Righteous” and “the ruddy king of plenty.”

How did he become a villain?

Macbeth was cousin to Duncan, and yes, he did kill him – but in battle when Duncan invaded his territory. Duncan’s son Malcolm Canmore eventually claimed the throne through primogeniture and the Celtic system of electing kings was erased. Chroniclers grafted Macbeth’s story with various legends to shape a monstrous, murdering usurper. Shakespeare found this tale in Holinshed’s Chronicles, shaped it to please King James and included the witches that so fascinated the king.   

As to “Lady Macbeth,” we know little more than her name and her father’s name. We do know that she was married to a man called Gillecomgan, also killed in battle by Macbeth, and then married Macbeth. I had to do a great deal of speculation in building a plausible life for her but drew on scholarship from a number of areas including archaeology of the Picts and the study of ancient goddess religions.

This book is the first of two telling the story of the historical Macbeths, hewing to the record where it exists and speculating to fill in the gaps. The Last Highland King will come out in 2027.

My earlier book with Regal House, In the Lonely Backwater, featured the distinctive voice of Maggie, who owes a lot to the solitary girl that I was, simultaneously lost and found between the wonders of the natural world and the books she carried everywhere.

I grew up in New York State, near the headwaters of the Allegheny River. My parents owned fields and woods that I knew well before I learned to read. I fished with my dad and wandered a patch of old-growth forest. Books sustained me — Twain, Poe, and Tennyson in addition to Shakespeare, all in the tall bookcase upstairs – along nature guides, and A Girl of the Limberlost that featured another rural wanderer. Like Maggie, I brought back my finds and interpreted them, generally to amused interest.

After high school and a few erratic years where I took jobs in factories and donut shops while in community college, I slid south along the Allegheny’s path to find myself at the other end of that river system, attending West Virginia University on the banks of the Monongahela. Propelled by the desire to write, I’d determined to become a journalist, as a blue-collar kid lacking mentors to help me along the path toward becoming a novelist and poet.

For nearly twenty years, I worked as a reporter and editor for daily newspapers in the northern coalfields of West Virginia, covering everything from train wrecks to murders to acid spills in the rivers, along with government beats and the “hook and bullet” column that let me hang with scientists at the Department of Natural Resources. During that time, I homesteaded a hill farm with my then-husband, building a house and barn, planting an orchard and organic garden — and, of course, wandering with my dog and gathering wild foods and always writing.

My first poetry chapbook and my first novel, both deeply engaged with the natural world, came out in 1988. Neena Gathering, a post-apocalyptic tale based on the landscape around that farm, was long out of print before being brought back as a classic in the genre. Like In the Lonely Backwater, it features a teenage narrator, though at its debut, Young Adult was not yet a thing and it was listed with general SF paperbacks. I still love that book, and it has many fans who’ve applauded its reissue.

Things change. The marriage ended and I found myself with a small farm I couldn’t manage and the editorship of a newspaper destined for sale. I headed to the Piedmont of North Carolina for a job with the News & Record, living outside of Appalachia for the first time in my life. The move brought new adventures, from getting my MFA at Queens University of Charlotte, to the publication of more poetry and fiction, to learning how to sail. A 25-foot Hunter docked at Lake Kerr was direct inspiration for Maggie’s world of the marina and the landscape of the farms and piney woods of the coastal plain.

I had the pleasure of working with Kevin Watson at Press 53 for all three of my full-length poetry collections and my novel Blood Clay, set in North Carolina. I was delighted when West Virginia University Press, which had also released my short fiction collection, decided to publish To the Bones, a horror/mystery set in the coalfields. It was acclaimed as “a parable of capitalism and environmental degradation” and in the sequel, Dead Hand, Darrick and Lourana flee to Ireland in search of answers to questions raised in the first book.

And then my Queens classmate Pam Van Dyk made me aware of Regal House, and I met Jaynie Royal and all the wonderful folks at my most excellent publisher!

Another marriage came and went, and I found myself freed to wander more widely. Solo hiking was pure pleasure, even when I was quite lost on the trails near Les Eyzies-de-Tayac, slogging through the rain along the Great Glen Way in Scotland, or following the music in Donegal and Dingle. Trailheads beckon me, from the Mountains to the Sea trail in North Carolina to the coastal vistas of San Francisco Bay.

Along the way, I’ve published poetry widely, in The Georgia Review, The Missouri Review, Chautauqua, and journals across the U.S. as well as Scotland, Ireland, and Greece. Work has also appeared in some fine anthologies, including Eyes Glowing at the Edge of the Woods and Ghost Fishing: An Eco-Justice Poetry Anthology.

I have been a creative writing fellow for North Carolina and West Virginia, the Kentucky Foundation for Women, and the National Endowment for the Arts. I’m professor emerita of creative writing at North Carolina A&T State University and continue to teach writing workshops.

Filed Under: Author Interview, Literary Musings, Regal Authors, Regal House Titles Tagged With: Historical Fiction, Upon the Corner of the Moon, Valerie Nieman

Scuppernong Books: It’s All About Community

November 29, 2021 Leave a Comment

by Valerie Nieman

I can honestly say I was there at the beginning.

Several years ago, opening night at Scuppernong Books in downtown Greensboro, NC, featured a warm fellowship of writers and readers, but the space itself was a work in progress. Bare shelves revealed the raddled brick of a succession of businesses. I don’t recall seeing a single fox, the creature that would become the familiar spirit of this place known for “Books Wine Community.”

owner Steve Mitchell

Today the space is bursting with books, new in the front, used in the back, with overflow onto big library tables in the event space. Staff reviews adorn books at front and center, while art and mottos—and foxes—make it hard to remember back when the walls were bare. But the “old home place” atmosphere remains, in assorted vintage armchairs and kitchen table chairs perfect for coffee and conversation. When authors visit, which is frequently, then folding chairs are brought out to offer seating that may or may not be enough—Scuppernong is on the tour list for popular authors such as North Carolina’s own Wiley Cash and kids’ book author Jeff Kinney (Diary of a Wimpy Kid).

Co-owners Brian Lampkin and Steve Mitchell, both of them authors as well as booksellers, entrepreneurs, and visionaries, could see something special right from the start.

“I was reluctantly getting into this,” said Lampkin, who had previously owned a bookstore in Buffalo, NY. “I walked into this dead, dilapidated, dead-rat space, but I could see the possibilities of a great bookstore.”

owner Brian Lampkin

“It had been empty for 10 years,” added Mitchell. “The building has been here since 1898. It was a feed and seed store when it started, and then was a bunch of other things. It had been two ‘shotgun’ stores with a wall down the middle.”

If they could see a bright and book-filled future, others were skeptical. The owners admitted that one local funding source, when hearing that they planned to serve wine and beer, thought they were really planning a bar, not opening a bookstore at all.

Greensboro was in a bad place for books when Scuppernong began. Small shops and newsstands had closed, chain outlets had disappeared, leaving only used booksellers to feed the need of local readers downtown. The central business district was just starting the renewal that makes it a lively destination today.

“People were really interested. They came by, looked in the window,” Mitchell said. “Somebody brought us a decorated brick that we still have.”

“And the rock somebody threw through the window a couple of years later,” Lampkin added.

What can you do about bad reviews, right? But truly, Greensboro has taken Scuppernong Books to its heart, and vice versa. “What makes a great bookstore, in part, is that it has a distinct personality. Indie bookstores are always curated to a some degree. There are things we care about, and we are always learning from the community what they need and want. Great bookstores reflect the community,” Mitchell said.

books displayed for upcoming events

Community engagement has taken many forms. The store works with local schools and has set aside space for voter registration efforts in cooperation with the League of Women Voters. Its ongoing commitment to debate and discussion is evidenced in programs such as the Death Cafe about end-of-life issues, a science forum, Ask a Muslim Anything, and book clubs including “Reading the World” and another for poetry. In addition to a full schedule of readings, Scuppernong hosts writing workshops such as “Looking at Short Fiction” featuring five authors from Press 53. There’s also “ScupTV” on You Tube with book reviews and discussion, sock puppet shows, and short clips from presentations. A weekly online magazine, Renard and Raisin, keeps people up to date.

That brings us to the foxes. Red-furred foxes appear in unexpected places, their canny eyes and bright tail-swirls following you around the space. So what’s the connection? Scuppernongs are native grapes, and grapes then make you think of the Aesop fable about the fox and the grapes. Therefore, drawing on the French names, Renard and Raisin.

The biggest event of the year, however, is the Greensboro Bound book festival, launching in 2018 under the umbrella of Greensboro Literary Organization which the bookstore was instrumental in founding. The name comes from Greensboro’s history as a major railroad hub, and the festival logo features crossed railroad tracks. At venues across town, readers get to meet dozens of writers both national and regional. “After our first Greensboro Bound, people came to us and said this really feels like a festival for writers,” said Lampkin. “As writers ourselves, we knew how to keep writers happy.” I can verify that engaged presenters make for happy audiences!

Memoirist James Tate Hills reads from Blind Man’s Bluff

Readings are a major part of the indie bookstore scene, and Scuppernong is incredibly supportive of authors, but there is a learning curve. “Most authors who’ve done it for a while have modulated their expectations, but new authors may expect big crowds,” said Mitchell. “We tried for a long time to make all authors happy, from self-published to big names, but the realities of the book business make it hard. We’re more empathetic to writers because we both understand what a tough racket this is.”

The store has been getting noticed far and wide. “We were in Time magazine, the centerfold actually,” said Lampkin. “Lev Grossman did an article on independent bookstores for an issue on the best reasons to live in America.” The store has also been recognized by Southern Living as one of the best bookstores in the South, and received awards from the North Carolina Writers Conference, Arts Greensboro, Friends of the UNCG Libraries, and more.

Some controversy has come about as well. When the store hosted Bronwen Dickey for her book Pit Bull: The Battle over an American Icon, anti-pit bull folks were enraged. Hate mail poured in from across the nation. More recently, the store’s adherence to vaccine guidance, including the requirement for a vaccination card if people wish to unmask for eating and drinking, has drawn some hostile responses.

Like most retailers, Scuppernong Books has had to adapt during the COVID-19 pandemic and the slow return to a new sort of normal. “People understand that shopping local nurtures their own environment. They want local business, and COVID really strengthened that. If they wanted restaurants and retailers to still be there, they knew they had to support them,” said Mitchell.

When the shutdowns hit early in 2020, the store was closed to foot traffic, and for several months, Scuppernong survived on mail orders and curbside delivery. The coffee, wine, and small plates service at the cafe was shuttered. But the lights are coming on again, and book lovers are again gathering at the bar for coffee or a glass of wine or local beer to warm their conversations.

Like other businesses, Scuppernong has experienced “the well-documented supply chain issues with printing, and shipping—COVID makes it difficult,” said Mitchell. Lampkin noted that opposition to Amazon has helped indie bookshops, however, because they offer atmosphere and human contact as a counter to “price-matching.”

Author Valerie Nieman (center in yellow) at the launch for To the Bones

So what’s next for Scuppernong Books? When the store opened in 2013, each of the owners brought special knowledge and love to make it a success—Mitchell had been a chef for a number of years (and worked in mental health), while Lampkin was an experienced bookseller.

“Steve and I are no longer young. Ferlinghetti (founder of City Lights Books in San Francisco) made it to 101—I don’t know if that’s in our plan. We do put a lot into this,” said Lampkin. Bringing renewed energy to the business is Shannon Jones, a longtime employee who recently joined the ownership. “She’s as committed as we are, and will bring new ideas and new thinking. We’ll continue Greensboro Bound, and now we are publishing books,” said Lampkin. “We don’t have grand visions of change. Maybe we have an archaic myth of the idea of bookstores.”

Michell added, “The idea is that a bookstore will be an energetic space, not a quiet, dusty place.”

Scuppernong Books

304 South Elm Street

Greensboro NC 27401

(336) 828-1588

scuppernongbooks@gmail.com

Valerie Nieman, author of In the Lonely Backwater (coming from Fitzroy Books in the summer of 2022), To the Bones, and three earlier novels, a short fiction collection, and three poetry books. Her award-winning poetry and short prose have been published here and abroad. She has held state and NEA creative writing fellowships.

Filed Under: Book Bound Tagged With: BookBound, Scuppernong, Valerie Nieman

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The Regal House Enterprise

Regal House Publishing is the parent company to the following imprints:

Fitzroy Books publishing finely crafted MG, YA and NA fiction.

Pact Press publishing finely crafted anthologies and full-length works that focus upon issues such as diversity, immigration, racism and discrimination.

The Regal House Initiative, a 501(c)(3) nonprofit that conducts project-based literacy and educational outreach in support of underserved communities.

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