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That’s My Story: Janice Deal on chocolate, pilgrimages & supportive community

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RHP staff got the chance recently to sit down with Janice Deal, author of The Sound of Rabbits (releasing June 6), to ask those particular questions that we’ve always wanted to know! You know, the really important questions about chocolate and wine (in addition to the writing craft!), and we are delighted to share her answers with you! And don’t forget to pick up a copy of her marvelous book (either from us or from your local indie bookseller!)

1. Do you see chocolate/wine as an intrinsic aid to writing?

Oh yes. Yes, please. With an emphasis on chocolate. I operate well under the influence of the “three C’s,” in fact: chocolate, coffee, and cats. On days when I can get a little of all three, I believe I do some of my best work!

2. What questions would you like us to ask other authors?

What literary pilgrimages have you gone on? (The power of place is profound, and going to visit, either virtually or literally, the places inhabited by our favorite authors and their characters can create such a sense of connection to work we love. Visiting or researching a specific place can also deeply inform our own work.)

3. How much to you is writing a solitary activity and how much a communal one?

It’s a mix of both. A few times a year, I steal away on “mini writing retreats” with my close friends Katie (Katherine Shonk) and Sandy (Sandra Jones): we are all, always, working on some sort of writing project, and we’ll rent a house in Indiana or Michigan and spend a few days writing and exploring. Once a year, the three of us also participate in the residency program at Write On, Door County (special thanks to founding and artistic director Jerod Santek): we spend a week up in Fish Creek, Wisconsin, teaching a class, writing, and for me, swimming laps at the beautiful local Y (swimming never fails to clear my head and I have done some good thinking about characters while in the pool). We tend to land the residency in December, a quieter time in Door County. It suits us all well.

Sandy, me, and Katie at Write On

I also go with my husband David on short writing retreats: to a nearby cottage called Spring Bird

(shout-out to Anna Lentz!), and sometimes to Wisconsin. We work well together, toggling between writing and hiking.

Ultimately, when I sit down to work, that’s where the solitary bit begins. No one can get the words on the page but me, after all. As drafts develop, I turn to a few trusted writer/editor friends for feedback. But when writing, I tend to dig deep; “coming back” to the world is like emerging from deep water. Then it’s time to reconnect with “real life”! I love that balance.

4. What’s next for you?

I have recently completed an experimental short novel, The Blue Door, which is a mashup of a contemporary story and a fairy tale of my devising. My linked story collection Strange Attractors, about the fictional town of Ephrem, Illinois, and its denizens, is due out from New Door Books in September 2023. And I have an idea for a collection of linked short stories, tentatively entitled Whale Fall, that I envision will explore themes of death and resilience. I’ve been taking notes for that project and we’ll see where those ideas take me (presumably with the aid of chocolate)!

5. What is the last book that made you cry?

Claire Keegan’s novella Foster. Just . . . wow. Keegan’s compassionate, nuanced prose absolutely slays me. Foster is a quiet story but it hits hard—and goes deep. Keegan has such a clear-eyed understanding of what it means to be human.

Papercuts Bookshop: A Notable Chapter in One Neighborhood’s Literary Story

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By Beth Castrodale

It’s a weekday and just minutes after opening time at Papercuts Bookshop, but the shop is already bustling with customers. To anyone who’s grown to love the store, as I have, that’s no surprise. Located in the heart of Boston’s Jamaica Plain neighborhood, Papercuts is home to an abundant, thoughtfully curated collection of books.

A children’s nook

But it isn’t just the books that make the store such a draw. It has a warm, inviting ambience and a sweet-natured pup, Sammy, who roams about, pausing now and then to accept a pat or ear scratch from a customer. Also, it’s easy to get drawn into one of the shop’s several cozy nooks and lose track of time as you browse the shelves, immerse yourself in a book that’s caught your attention, or check out one or more of the one-of-a-kind gift items that are arrayed around the store.

But to my mind, what makes Papercuts especially welcoming is the staff. Even on the busy day of my visit, as they worked nonstop to stock books, ring up purchases, and carry out other tasks, the store’s employees were unfailingly friendly, constantly greeting customers and coming to the aid of those with questions. 

Sammy

Fostering this warm environment is Kate Layte, who founded Papercuts in 2014. Despite being as busy as every other staff member during my visit, she took time to speak with me about the store as she went about her work. Among other things, we talked about how the store has forged a strong connection to the community by serving as a hub for all manner of book lovers. “What other job would let you connect to people of all ages?” Layte observed.

She also noted that Papercuts has become part of Boston’s – and, more specifically, Jamaica Plain’s – long and storied literary history. Less than two miles away is Forest Hills Cemetery, where several notable writers, including poets Anne Sexton and e.e. cummings, are buried. Also, the first home that Sylvia Plath knew is just a half mile from the store. That connection to local writers continues to this day. As a Jamaica Plain-based author, I’m grateful that Papercuts stocks books by local writers and that the store has featured both Boston-area and national writers in store-sponsored events.

Papercuts has also made a significant effort to feature books that shed a more inclusive light on local history and other subjects. During my visit, Layte pointed out one such book, Black Walden, which explores the lives of formerly enslaved people who made lives for themselves in Walden Woods, a place that for many people, calls to mind only Henry David Thoreau and the book he’s most known for.

Like many other Boston-area booklovers, I was delighted when, in early 2020, Papercuts moved from its original location in Jamaica Plain, which was just 400 square feet, to a much larger space in the neighborhood. But Papercuts soon faced a major setback when, in March 2020, Covid forced the business to close for a period. By April, the store was in dire enough financial straits that it was at risk of ceasing operations. But Layte was determined to keep it going. Looking back on that time, she said, “I just wasn’t going to give up.”

She set up a GoFundMe campaign for Papercuts, and in just two weeks it raised more than $55,000, which was used to pay vendors, rent, utilities, and other expenses. “Everyone just stepped up,” Layte said. “I was so floored.”

A tire mark testament to Papercut’s resilience

But Covid wasn’t the only big challenge that Papercuts has had to face. In April 2022, two cars crashed into the front of the store, shattering windows, destroying books, and causing structural damage that, fortunately, wasn’t severe. Thankfully, because the store was empty at the time of the crash, no one sustained any injuries, and Papercuts was able to reopen not long after the incident. Today, a tire mark from one of the cars remains etched into the floor, serving both as a reminder of the crash and a testament to the store’s resilience.

Susan Hardy Brown

Another testament to the store’s resilience is how busy it is on any given day, including the day I stopped by. During my visit, I had the pleasure of speaking to one of the many customers: Susan Hardy Brown, a visual artist and longtime resident of Jamaica Plain. She is also a longtime fan of Papercuts. “I have told Kate that it was the best thing to happen to JP since I’ve been here,” Brown said. “Especially now that she’s in the bigger space she can indulge herself in curating this amazing collection of books, and her passion just spills over to everything, not just the books. There seems to be something for everyone.” (Notably, Brown is more than just a devoted customer of Papercuts. For a time, she helped out at the store’s previous location, and some of her art has been featured at the business.)

The passion that Brown described is evident in every aspect of Papercuts. As for the experience of running the store, Layte said, “I wouldn’t trade it.”

Beth Castrodale is the award-winning author of three novels: Marion Hatley, In This Ground, and I Mean You No Harm. Her latest novel, The Inhabitants, will be released by Regal House Publishing in fall 2024.

The Boy in the Rain: Catching up with Stephanie Cowell

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We, at Regal House, had the delightful opportunity to sit down with Stephanie Cowell, author of the upcoming The Boy in the Rain, a love story of two young men in Edwardian England, releasing May 1, 2023, and ask her all the particular questions we had regarding her writing process, her hobbies, and her inspiration for her upcoming book. We’re thrilled to share that interview with you!

What surprising skills or hobbies do you have?

Stephanie as a balladeer age 25

Before I threw myself into writing novels, I was a high soprano, singing both traditional folk music with guitar, and opera. With folk songs, I sang everywhere from prisons, schools, on a cruise on the lake around Stockholm, and the most elegant private parties in New York City apartments. I sang in several languages though my favorite was British songs, particularly “Greensleeves” and “Flow Gently, Sweet Afton.” I performed many roles in opera, among them Gretel wearing my hair in braids and Gilda in Rigoletto, the young Renaissance Italian girl who is seduced by the Duke of Mantua. Her father vows vengeance and death, and the baritone singing the role and I had a very dramatic duet, when he keeps singing “Si, Vendetta!” (Vengeance!) and she begs him to forgive the scoundrel Duke because she still loves him. At the end Gilda must sing a very high note: the Eb above High C. I was terrified, and my throat would close which meant no high note. So, my old Italian voice teacher discovered I could manage if I ran while singing. Everyone thought I was wonderfully dramatic with my long hair streaming behind me, running across the enormous stage while sustaining that note. But I could not do it otherwise!

I still sing a little when I do the dishes, but nothing nearly that high.

How do you research your work?

Stephanie researching in Eccleston Square in London

When I first began to write novels (1984) there was no internet, and I had very little money for books, even if I could find them. I would go to the research libraries which still had index cards cataloguing books. There was always tremendous excitement finding a book. The New York Public Library’s main reading room (the Rose Room) where I sometimes went to study is unbelievably huge and gorgeous. You wrote out a call card and handed it to the librarian and after a time someone from somewhere in the seven stories below the ground where the books were stored, the book you wanted would be fetched. My new novel, The Boy in the Rain, was researched in old book shops and libraries and later, books bought online. I also went to England several times to research it, to London and to Nottingham where the two young men in the book lived. But research also is sensory memory. I stayed many summer weekends as an adolescent in an old country house which was security for me. I heard the heavy tree branches moving against the house. It became the house in my novel.

How long did it take you to write your book? Revisions?

The Boy in the Rain, releasing May 1, 2023

It took forever! The Boy in the Rain was the first novel I tried to write, begun on a dare from two friends. It was very short and undeveloped, but a friend remembers, “it had tremendous passion.” So, I hid the printout in my closet and every four or five years, I’d miss it awfully, and bring it out to revise and share it with a few friends. Agents would fall in love with it and some editors but in the end, they thought it was too unusual and wanted other books from me. I’m terribly glad actually because it took that long to develop into its full strength, 

Have you published anything before? If so, what and where?

I have published three novels with W.W. Norton: Nicholas Cooke, The Physician of London, and The Players: a novel of the young Shakespeare. Then came Marrying Mozart through Viking Penguin, and after with Crown Random House, Claude & Camille: a novel of Monet.  My books have been translated into nine languages and the Mozart novel was made into an opera. I am the recipient of an American Book Award. I have at least six novels in draft, always hoping to finish them. Maybe eight….

LAST QUESTION: When you are writing which is more real, the world all of us live in or the one only you can see? How does to feel to share that world??

When I am writing, the world of the novel is as real as the one I physically live in. I feel the characters walking next to me in the street. When I was an only child (until the age of nine), I would be taken to school and brought back again to my room where I was alone most of the time until dinner. We lived in NYC and I had no way to go to other kids’ houses, as little kids don’t walk the streets alone! Actually, I kept changing schools, so I don’t remember having any friends until after the age of nine when we lived in one place for a few years, and I was able to walk a few streets to visit my first friend or go downstairs to visit a girl in the building. So, I made up people.

I had a made-up friend called David, and I believe he was the genesis of some of my characters, especially Robbie in The Boy in the Rain. Everyone has imaginary worlds in them, but most people are private about them. Writers share them in books. For a long time, I felt The Boy in the Rain was too private to share, that it was just for me. When I first saw the novel printed between covers, I was a little terrified. It is such an intimate world to me. Writing these words, a month before publication day, I am still not sure I want to stand up and talk about it before people.  So, there was a great tug between keeping it a secret forever and sharing it. I guess sharing it won. 

Jeanette Horn

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Jeanette Horn was enamored of the written word at an early age and spent much of her childhood reading and making books. At eleven, she formally decided to become a writer, devoting herself to poetry several years later, when she learned from a William Carlos Williams documentary that it didn’t have to rhyme.

After receiving a BA in English from The University of Texas, where she won several Adele Steiner Burleson Awards for poetry and essay writing, Jeanette earned an MFA from The University of Iowa Writers’ Workshop. There, she was awarded a Maytag Fellowship and was a finalist for Poetry’s Ruth Lilly Poetry Fellowship. Her work has appeared in MARGIE, Poetry International, Stand, Washington Square, and other journals.

Jeanette resides in Austin, Texas, with her husband and dogs. Play, With Knives is her debut novel, and its lyrical style is evidence that poetry remains her first love. Learn more at jeanettehorn.com

After 42 Years, The Muse Bookshop Still Promotes Literacy and Community

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By Ginger Pinholster

In DeLand, Florida’s bustling historic downtown, The Muse Bookshop invites readers to browse an irresistible children’s section, new best sellers, used and antiquarian books, topographical maps, “Floridiana,” gifts, and more.

Seated at the heart of the shop is its unstoppable founder – educator and community champion Janet Bollum, who co-founded The Muse 42 years ago, on July 1, 1980. Bollum’s business has continued to thrive despite devastating recessions, changes in her personal life, and a global pandemic. On a recent Saturday, customers bustled in and out of the shop as they paraded along DeLand’s humming downtown shopping area.

Bollum has played a key role in advancing her city’s downtown business district, ever since the area was established in 1985. “I have a vested interest in the viability of the downtown district,” she explains. “I’m on the MainStreet DeLand Association board. I live in DeLand, own a business in DeLand. I promote literacy in that, if people come in and they’re looking for something, I have the ability to point them in the right direction.”

Janet Bollum, owner of The Muse Bookshop

She considers that level of service – and literary insight – as her primary selling point, compared to chain stores. “I can help my customers navigate my collection,” says Bollum, an enthusiastic bibliophile. “If I don’t have it, I can get it for you.”

From a visitor’s perspective, Bollum’s other primary selling point is her infectious passion for books and her steadfast commitment to community-building. As an example, following the police killing of George Floyd in 2020, Janet and her daughter Ella Ran live-streamed weekly readings of children’s books on race and diversity. Readings in that series included books such as Something Happened in Our Town: A Child’s Story About Racial Injustice.

“Give a kid a love for books and they’ll be entertained for life,” Bollum says, noting that her nine-year-old granddaughter loves graphic novels such as Wings of Fire and Artemis Fowl.

The Children’s Section at The Muse

Bollum’s preferred genre is historical fiction. She reads to escape, and for entertainment, but she also reads a bit of everything, including all of the offerings in her bookshop’s “Florida Room.” There, contemporary literary fiction by Connie May Fowler and Carl Hiaasen’s humorous thrillers coexist with antique copies of Robert Wilder’s Flamingo Road and Marjorie Kinnan Rawling’s Cross Creek.

Born in Minnesota, Janet Lynn Bollum earned a mathematics degree from Moorhead State College, taught high school in Australia for a couple of years, then returned to the United States, where she became involved in adult education. That experience got her more interested in promoting literacy.

In 1979, she and her then-husband, the late Keith Charles Bollum, followed her parents to Florida, where he worked at a bookstore in St. Augustine. In 1980, they bought a business called McVicker’s Books, Cards, and Gifts, which was located a block north of her current store in DeLand. The Bollums had two children, Justin and Ella, before divorcing in 1989.

The Florida Room

Still, The Muse Bookshop persisted.

Janet Bollum became increasingly involved in civic life, serving as a City of DeLand commissioner; as chair of the Volusia County Metropolitan Planning Organization; as a representative of the Volusia Council of Governments; and on the advising committee of the Metropolitan Planning Organization. She remains active in the Democratic Party, and she helps citizens register to vote.

During the COVID-19 pandemic, Bollum says, The Muse closed for a couple of months, then began reopening gradually. She was able to secure grants from the county that helped her survive. All along the DeLand business district, she says, landlords temporarily reduced rents to help keep their tenants from going under. With very few exceptions, most of DeLand’s downtown businesses are small and privately owned, she notes. By working together, the community got through those dark days, and it has now bounced back stronger than ever, Bollum reports.

Bollum received the Woman of the Year Award from the DeLand Downtown Business and Professional Organization in 1996. She has been listed as a noteworthy Retail Book Store Owner and Educator by Marquis Who’s Who.

These days, her brother Brian helps out at the shop, as needed. At the back of The Muse Bookshop, daughter Ella Ran co-owns Outsiders, a retail store for outdoor adventurers.

Visit The Muse Bookshop at 112 S. Woodland Avenue, DeLand, Florida 32720. DeLand’s award-winning downtown district also features an art museum, eclectic craft and gift stores, restaurants, a brewery, and much more. If you’re in Central Florida, it’s a destination well worth touring, especially if you have a chance to meet and be inspired by Janet Bollum.

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Ginger Pinholster’s second novel, Snakes of St. Augustine, is forthcoming on September 12, 2023 from Regal House Publishing. Her first novel, City in a Forest, won a Gold 2020 Royal Palm Literary Award from the Florida Writer’s Association. She works for Embry-Riddle Aeronautical University and lives in Ponce Inlet, Florida, where she volunteers with the Volusia-Flagler Turtle Patrol.

Arvida Book Company: A Warm and Nurturing Community Gathering Spot

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by Candi Sary

Arvida Book Company is my local bookstore. Its eclectic décor spans generations of style, pairing unique and edgy artwork with the nostalgic comfort of grandma’s living room. Lantern-like hangings, made of book pages, dangle from the ceiling. Paintings and sculptures by local artists adorn the walls. A turntable near the register plays music from a collection of vintage albums. Tables and shelves are stacked with an impressive variety of new and used books. The children’s section, like an enchanted garden with climbing vines, invites little ones to stay a while. 

Sam and Mike Robertson

One Friday morning I stopped in to talk with owners Samantha and Mike Robertson. We sat together in the burgundy and gold wingback chairs near the coffee counter. Tiny blackboards along the wall offered staff beverage picks—Mike suggested a ‘cortado’ while Sam simply underlined ‘black coffee.’ There in the cozy chairs, with a small rounder of classic literature between us, the couple shared their Arvida story. Opening a bookstore in the age of Amazon and during a pandemic takes a lot of courage and heart. Spending time with the Robertsons, it was clear the two have an abundance of both. 

When the pandemic hit, Mike lost his job and Sam, a flight attendant, worried about losing shifts. She had always dreamed of opening a business sometime in the future. Given the uncertainty of their current situation, they thought, why not now? and set their eyes on a vacant store in their neighborhood. The big corner building, amidst quaint little shops and restaurants of Old Town Tustin, had only switched hands twice. First it was a hardware store, and for the next twenty years it was Mrs. B’s Consignment Store. Sam and Mike loved bookstores. They even had their engagement photos taken at The Last Bookstore in LA. With a leap of faith, in 2020 the Robertsons transformed that vacant building into Arvida Book Company. 

With the help of friends, family, and their two young daughters, Sam and Mike have created a welcoming, comfortable and inspiring atmosphere for the local community. They want Arvida to be more than just a bookstore. Along with author events and several bookclubs, they host a variety of community gatherings. Sam told me how important it is to listen to their customers, tailoring books to local interests, and asking about the needs of the neighborhood. Upon learning that Tustin does not have a community garden, the Robertsons are now involved in making that happen. 

A cozy nook for children

I spent a good deal of time in the store that day. Regulars stopped in to say hello and share friendly chatter. A young couple, who plays chess every morning at one of the outdoor tables, peeked in to say goodbye when they left. During our conversation about the author/artist/community events they host, Sam pointed out a petite woman on the couch beside the turntable. It was Sondos Kholaki whose book I’d seen on the local author shelf. The Robertsons introduced me to the writer who was sitting with a friend, a songwriter. The three of us, though very different kinds of writers, found a connection over our shared love for words. We had an inspiring conversation there beside the wall of local art, with the smell of coffee in the air, and a sense of warmth all around the colorful, nurtured space. And I thought to myself, This is no ordinary bookstore experience. This is Sam and Mike’s vision achieved.

I left that Friday afternoon with the latest Sally Rooney novel, a personally signed copy of Sondos’s book, and an overwhelming sense of gratitude that I get to call Arvida Book Company my bookstore.

Candi Sary is the author of the book Black Crow White Lie and the recipient of the Reader Views Literary Award, a CIBA Award, and a first runner-up in the Eric Hoffer Book Award. Her novel with Regal House, Magdalena, will be released in the summer of 2023.

That’s My Story: Cindy Maddox

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It was our pleasure to have a virtual sit-down with Cindy Maddox, author of In the Neighborhood of Normal, to learn a little more about her writing process as well as any backstory tidbits she might want to share about her new novel.

Cindy Maddox

• Are any of the characters in your fiction based on people you know in real life?

The main character in my novel In the Neighborhood of Normal shares my grandmother’s name (Mish, short for Artemisia) and a few of her eccentricities, but she also shares some wonderful characteristics from a woman I knew named Barb. The Mish in the book is her own person but undoubtedly has been influenced by my love for these two women in real life.

• With what do you write? A computer? A pencil? A ballpoint/ biro? Rollerball? Quill and the blood of virgins (male or female is fine. We’re all about the equal opportunity at Regal)? A fountain pen (people who use a fountain pen get extra credit points)?

I’m boring. I write with a computer and the most common word processing program. But spellcheck must be turned on, the grammar tool must be turned off, and hidden formatting symbols (e.g., spaces and paragraph marks) must be visible.

• Are you fluent in any other languages? 

I like to joke that I am fluent in English, sarcasm, and profanity, but I am actually not all that fluent in profanity. I have never advanced beyond the single-word expletive, which is probably just as well since I’m a minister. My church is very liberal, but the pastor letting loose a multi-syllabic profanity-laced rant is still frowned upon.

• Do you see chocolate/wine as an intrinsic aid to writing?

Chocolate is an intrinsic aid to writing primarily because chocolate is an intrinsic aid to living. I used to get involved in the milk versus dark chocolate debate, but now that I am older and wiser, I do not discriminate. Except for white chocolate. It is an abomination.

• Who has supported you along the way?

Fearless!

I started writing this novel years ago, but I never really got going. My wife talked me in to accompanying her to a writers’ meetup, and I went as a favor to her. The accountability and feedback got me moving. Even when I feared I would never see the book in print, my wife’s faith in me kept me going. I never would have finished it without her.

• What do you read that people wouldn’t expect you to read?

In my teenage and early adult years, I read a lot of romance. At the time I needed an escape from real life and those novels filled the void. As I aged I lost interest in the genre but still sometimes want to read to get away. In those times I don’t want fluff—I want the characters to struggle with meaningful issues and events—but I don’t want to read something depressing, either. That’s what I try to write: fiction with relatable characters experiencing real-life drama, but that leave the reader with joy. Life has enough despair.

• Has your education helped you become a better writer?

I think both my undergraduate and graduate degrees have helped me become a better communicator. The best training as a novelist, however, came from my work as a freelance book editor in partnership with a more experienced editor. She performed the substantive edit on novels, and I followed with copyediting. Seeing the changes an experienced editor made in a manuscript was invaluable to me as a writer.

• What’s your process for writing: do you outline, create flow charts, fill out index cards, or just start and see where you end up?

I start with a character and a general idea, and then I see where it takes me. I need to have a general idea of where the story is going, but I don’t like to be bogged down in details up front. I like to watch the story unfold. Sometimes it goes exactly as planned, and other times I’m surprised.

Kat Meads: That’s My Story

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On the release of Kat’s new work, Dear DeeDee, we were delighted to have a virtual sit down with her to discuss her writing process.

Who has supported you/your writing along the way?

I’ve been lucky. Over the years, I’ve had boosts and buck-ups from many folks. I’m especially grateful for a phenomenal group of women who, in the early going, helped me enormously in terms of support, inspiration and craft. We connected through UNCG’s MFA program and got together outside of class in each other’s houses for evenings of wine, food and rigorous, in-depth critiquing sessions. We called ourselves “Ladies Lit” for multiple reasons, one being, within our group, we treated what others dismissed as “women stories”—meaning stories that prioritized women characters and sensibilities—as serious, worthy fiction. In that group, I was very fortunate to learn from, among others, Lynne Barrett, Candy Flynt and Lee Zacharias. Still learning from their work today—but, alas, we’re too spread about the country to continue those great get-togethers on a regular basis.

How do you research your work?

Researching St. Petersburg

For historical fiction, I start by reading: history, cultural studies, biographies and autobiographies connected to the period and specific events. After that, I try mightily to visit the terrain. For my novel For You, Madam Lenin (Livingston Press/University of West Alabama) I managed to get to Russia. Despite the vast number of years between when I gazed upon the Neva River and my character Nadya Krupskaya did likewise, it was important to my process to experience St. Petersburg, her city—its air and light and atmosphere. My approach is similar when writing nonfiction. Although I’d finished the background research for an Estelle Faulkner essay published in “Full Stop,” before writing the piece, I badly wanted to lay eyes on Estelle’s Rowan Oak bedroom. And despite its “cleaned up” appearance and the thousands of visitors who’d traipsed through the Faulkners’ one-time home before me, that bedroom viewing was definitely worth the trip. Place—actual landscapes and physical structures—are a key component for me in any genre.

Estelle’s Faulkner’s Rowan Oak bedroom

How do you develop your characters?

Dear DeeDee

One of the reasons I was intrigued to try the epistolary form in Dear DeeDee directly relates to that question. How to exclusively address one specific recipient, reveal my own narrator self, and simultaneously have that “private” communication be universal enough in reach and content to interest an unrelated third party? That was the challenge. Eventually I settled on the “huh?” test. Whenever I wigged off on something too insular—a family tidbit that required knowing the entire backstory of all involved to appreciate its significance—that passage failed the huh? test and got nixed. For fiction, typically, I start with a visual of the character, then fast forward to the question: What’s troubling this character? That one-two usually dumps me into a narrative thicket fairly quickly. In Dear DeeDee, what’s troubling Aunt K is a bundle of stuff: time passing, where (now) to call home, were the life choices she’s made right or wrong or just inevitable—those kinds of probes. Fundamentally, it’s a book about identity, questions of identity.

What are the nuances differentiating memoir and autobiography?

I’m partial to Gore Vidal’s interpretation of those terms: autobiography requires fact checking; memoir is how one remembers one’s life. And “memoir,” Vidal went on to say, “is apt to get right what matters most.” It’s been my experience that I often discover “what matters most” during the writing process. You’d think I’d know beforehand—and sometimes do—but very often I find it’s the writing out that clarifies and confirms what’s what for me.

Where/when do you get your best writing ideas?

Cleaning house. I have no idea why—but there it is. Dust a lamp, sprint back to the desk, scribble notes; vacuum half a room, sprint back, scribble notes, etc. Needless to say, it takes me longer than it should to clean my house. Even so: side benefits.  

Kat Meads is the award-winning author of 20 books and chapbooks of prose and poetry, including: 2:12 a.m.; Not Waving; For You, Madam Lenin; Little Pockets of Alarm; The Invented Life of Kitty Duncan; Sleep; and a mystery novel written under the pseudonym Z.K. Burrus, set on the Outer Banks. Dear DeeDee, released by Regal House Publishing, is in stores December 4, 2020.